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          <a href="../index.html">The Galileo Project</a> &gt; <a href="../family.html">Family</a> 
      &gt;<a href="../fam/vincenzo.html">Vincenzo Galilei</a>	  
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	  <p class="heading">Vincenzo Galilei (ca. 1525 - 1591)</p>
      
      <p class="main_text">Vincenzo Galilei was born in <a href="../gal/florence.html">Florence</a>. 
        He made his living as a lutenist, composer, theorist, singer, and teacher. 
        Around 1560 he settled in Pisa, where Galileo Galilei was born in 1564, 
        the oldest of six or seven children. During this period Galilei also studied 
        for some time in Venice under the theorist Gioseffo Zarlino, with whom 
        he later had a dispute about music theory. In the early 1570s Galilei 
        and his family settled in Florence. His prowess as a musician and theorist 
        attracted a number of powerful patrons, and he often spent time at their 
        residences. e.g., in 1578-79 with Duke Albrecht of Bavaria in Munich. 
        <br>
        <br>
        Vincenzo Galilei published a number of books of musical scores for the 
        lute and several books on musical theory. What is important about Galilei 
        for our purposes is that he combined the practice and theory of music. 
        Since antiquity, the theory of music had consisted of a mathematical discussion 
        of harmony, in other words what are the mathematical ratios of the lengths 
        of strings producing consonances, and how does one divide the octave? 
        It had always been thought that not only was the ratio of lengths of two 
        strings sounding an octave 2:1, but that so also was the ratio of the 
        tensions of strings of equal lengths tuned an octave apart. Galilei showed 
        that this is not the case: the ratio of tensions is 4:1. He found that 
        ratio by hanging weights from strings. Here was an experiment that produced 
        numbers and bore directly on the age-old theoretical discussions. <br>
        <br>
        Stillman Drake argued that Galilei performed these experiments in 1588, 
        when his son Galileo was living at home and giving private lessons in 
        mathematics. The implication here is that young Galileo actually helped 
        in the experiments. Be that as it may, Galileo received from his Florentine 
        environment in general and from his father in particular the tendency 
        to combine practical considerations with theory and to try to answer theoretical 
        questions by experiment.</p> 
      
	  
	  <p class="sources"><b>Sources</b>: The most accessible brief biography of 
        Vincenzo Galilei is Claude V. Palisco's in <i>The New Grove Dictionary 
        of Music and Musicians</i>, (VII: 96-98). The article contains a complete 
        list of Galilei's printed works and manuscripts. <i>Music and Science 
        in the Age of Galileo</i>, the proceedings of a recent conference edited 
        by Victor Coelho (Kluwer Academic Publishers, 1992) contains a number 
        of relevant articles as well as references to further sources. See also 
        Stillman Drake, -- "Renaissance Music and Experimental Science," <i>Journal 
        for the History of Ideas</i> 31 (1970): 483-500; and "The Role of Music 
        in Galileo's Experiments," <i>Scientific American </i>232 (Jan-June 1975): 
        98-104. Drake shows how Galileo's musical knowledge <i>may</i> have helped 
        him design experiments.</p>
		
	  
	
	
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