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<HEAD><TITLE> Pallazo Vecchio</TITLE></HEAD>
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Architecture in Tuscany  
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Pallazo Vecchio</h2>
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<dl><dd> 

The <i>Pallazo Vecchio</i> sits at the heart of Florentine culture. Often
the setting for major political events, the <i>Pallazo Vecchio (left)</i> figures
heavily in the drama of the history of <a 
href="../FlorTour.html">Florence</a> of the second millenium. 
<p> <b><i>A Brief History</i></b><br> 
Construction of the building started circa the turn of the 14th
century, when the presiding political machine of Florence, the Council of
the Hundred, asked for a building to house the office of the supreme
magistrate, the <i>Gonfalonier</i>, also the head of Florentine
government and militia. For many Florentine citizens of that time, the
position of the <i>Gonfalonier</i>, created in an agreement to end class
wars, symbolized freedom from oppression, and the physical office
of the <i>Gonfalonier</i> adopted the same symbolization.
<p>
Over the years, time sifted and seived the political system of Florence,
and eventually, the power settled into the hands of the <a href 
="../alexc/medici.html">Medici</a> family. Prior to
that settling,</dd></dl> the <i>Pallazo Vecchio</i> had changed in structure.
By the time of the Cosimo de' Medici' return from exile in 1434, several
changes to the building had added to its defense : for instance, a gallery
had been constructed with two levels, the upper of which is open-roofed but
flanked by crenellated walls, and the lower of which served as a lookout
and has arrowslits and trapdoors built into its framework.
<p>
Upon his return, Cosimo wasted no time in siphoning all political power
into his self-initiated sceptre, and he remodeled the <i>Pallazo</i> to
suit his, or what, in his eyes, amounted to the government's, needs. The
change of the Great Hall, where the people's parliament had been meeting,
to a private reception hall was one of several changes made by Cosimo to
symbolize his authority while dismantling that of the people.  Another such
symbol is the covered walk which he built in order to separate himself from
the public as he walked to the Pallazo Pizzi, another important political
building.
<p>
Later Florentine rulers of Medici lineage followed suit, and, by the end of
the Medici's rule in Florence, the <i>Pallazo</i> was, iconographically,
more a celebration of the family than it was a political base. Between the
16th and 19th centuries, the <i>Pallazo</i> continued, however, to maintain
several political offices. In 1865, the newly formed Kingdom of Italy,
centralized its government in Florence, and the <i>Pallazo</i>, just restored
after hugely destructive fire in 1690, was the main government office.  

Today the <i>Pallazo</i> is remembered for the role it played in Florence's
history and is the subject of an extensive restoration project.
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<blockquote><hr size = 1><i>(left)</i>  A detail of Donatello's <i>Judith</i>, which is
one of the many fine masterpieces displayed in the <i>Pallazo</i>.<br>
<p><br><br>
<i>(below)</i> Inside the <i>Pallazo Vecchio</i><br>
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<i>created by <a
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